This fully illustrated publication accompanies Hannah Starkey’s solo museum exhibition for at the Mead Gallery and marks the transfer of her image making from film to digital photography.

It examines the development of a remarkable body of work by an artist who invites us to acknowledge the alienation and the redemption present in contemporary life.

The exhibition was  curated by Diarmuid Costello of the University of Warwick’s Philosophy Department who, with Margaret Iversen, leads the AHRC funded research project, ‘Aesthetics after Photography’.

Published on the occasion of the exhibition Hannah Starkey: Twenty-Nine Pictures at Mead Gallery, University of Warwick, January – March 2011.